

Works that fall under the heading of third stream include Sketches of Spain by Miles Davis, The Gary McFarland Orchestra by Gary McFarland, Focus, a suite for saxophone and strings by Eddie Sauter Transformation by Schuller, An Image of Man by William Russo, Reimagining Opera by Dario Savino Doronzo | Pietro Gallo, Piece for Clarinet and String Orchestra by Giuffre, Poem for Brass by J.J. Others influenced by Third Stream include Robert Prince, Ron Carter, Eddie Daniels, William Kanengiser, Jacques Loussier, Modern Jazz Quartet, James Newton, Ralph Towner, Turtle Island Quartet, Mary Lou Williams, Brad Mehldau, and Eberhard Weber and several other ECM Records artists in Italy, among others, Bruno Tommaso, Gianluigi Trovesi, Andrea Pellegrini, Giorgio Gaslini.

Composers who were influenced by Schuller's comments include Don Ellis, Eddie Sauter, William Russo, Andre Hodeir, Lalo Schifrin, Teo Macero, Gary McFarland, and Friedrich Gulda. This music was performed for the first time at the Brandeis Festival of the Arts in 1957 and inspired Schuller's comment about "a new synthesis". The second album combined jazz and classical musicians with compositions by Schuller, Giuffre, George Russell, Charles Mingus, Harold Shapero, and Milton Babbitt. The first contained compositions by Schuller, J.J. Schuller led a group of musicians in recording the albums Music for Brass (1957) and Modern Jazz Concert (1958), later collected under one album, The Birth of the Third Stream. It is not designed to do away with jazz or classical music it is just another option amongst many for today's creative musicians.It is not a fugue played by jazz players.It is not inserting a bit of Ravel or Schoenberg between bebop changes-nor the reverse.It is not classical music played by jazz players.It is not jazz played on "classical" instruments.In 1981, Schuller offered a list of "What Third Stream Is Not": Others reject such notions and consider third stream an interesting musical development. Ĭritics have argued that third stream-by drawing on two very different styles-dilutes the power of each in combining them. He wrote that "by designating the music as a 'separate, third stream', the other two mainstreams could go about their way unaffected by the attempts at fusion". He noted that while critics on both sides of third stream objected to tainting their favorite music with the other, more strenuous objections were typically made by jazz musicians who felt such efforts were "an assault on their traditions". He insisted that "by definition there is no such thing as 'third stream jazz'". In 1961, Schuller defined third stream as "a new genre of music located about halfway between jazz and classical music". Improvisation is generally seen as a vital component of third stream. The term was coined in 1957 by composer Gunther Schuller in a lecture at Brandeis University. Third stream is a music genre that is a fusion of jazz and classical music. instruments commonly used in classical music.
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